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How to brief a search so it doesn’t stall

A good brief agrees the profile, the band, and the real market before anyone starts sourcing. The searches that drag usually skipped that hour.

By Sachith Rai 8 min read
A small group reviewing charts together

Draft. Figures marked like this are illustrative and pending verification against Recruise placement data & Sachith sign-off before publication.

Key takeaways

  1. A good brief settles three things before sourcing starts — the profile, the band, and the real market.
  2. The searches that drag almost always skipped the hour where those three were pressure-tested against each other.
  3. The brief’s job is to expose the trade-off early, while it’s cheap — not to discover it at the offer stage.
01

Three things have to agree, or the search fights itself.

A brief that holds does one thing well: it makes the profile, the compensation band and the actual market agree with each other before anyone sources a name. Most stalled searches have all three defined separately and never reconciled. The profile describes a top-decile leader; the band is pitched for the median; the market for that combination is a handful of people who aren’t moving. Each piece is reasonable alone. Together they describe a hire that doesn’t exist, and the search spends a quarter proving it.

The briefing hour is where you catch that. You put the ideal profile next to what the band will actually buy and next to who’s genuinely available, and you find the tension immediately. It’s an uncomfortable conversation to have on day one — and it is far cheaper than having it, by accident, three months in when the pipeline’s empty.

“A brief isn’t a wishlist. It’s the moment you make the profile, the money and the market look each other in the eye.”

Sachith Rai · MD & Founder, Recruise

02

Name the trade-off before you name the candidate.

Every senior search carries a trade-off — you will flex on scope, or on background, or on band, because the perfect intersection is rarely on the market. The only question is whether you decide that consciously at the brief or stumble into it under pressure at the offer. A good brief surfaces it as a deliberate choice: if we hold the band, we widen the profile here; if we hold the profile, we move on the number or the timeline.

That clarity is what keeps a search moving. When the trade-off is named up front, every candidate can be judged against a decision the room already made, and calibration stays a tune-up rather than a crisis. When it isn’t, the search runs blind — and the trade-off eventually makes itself, at the worst possible moment and on the worst possible terms.

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